In another collaborative project with MarshmallowLaserFeast, and James Medcraft, we produced a stunning film for the launch of McLaren’s P12 super car.
The goal for the project was to show the P12’s aerodynamic qualities in a whole new light, without actually having physical access to the car itself. Light painting has been around for decades but has never been put into full motion. Until now.
Working with McLaren we were able to process their wind tunnel airflow data and score out paths for individual trails of light. Each frame was then sliced into 650 frames that represent depths of 3D space and a plasma screen, mounted on a motion control rig, was used as a 3D light printer to play back the 650 slices as it moved through the space. We then repeated the move a thousand times for each frame of the animation and with each frame the camera, mounted on another motion control rig, moved a few millimeters so that over the course of the shoot we were able to create the effect of a moving camera.
The finished film merges photography, animation and sculpture and is a truly unique way of representing aerodynamics that we feel justly celebrates this astonishing car.
You can see more of this sort of incredible work at marshmallowlaserfeast.com.
Concept, Design, Art & Technical Direction: MarshmallowLaserFeast in collaboration with James Medcraft
Software design and development: Raffael Ziegler
Sound design: Tom Halstead
Visual Effects: MPC
VFX Producer: Michael Stanish
Lead 3D: Duncan McWilliams
3D: Thomas Rowell
Production Company: The Found Collective
Producer: Holly Restieaux
Executive Producer: Peter Bowker
Client Liaison: Ben Risk
Motion Control: Ian Menzies and Nigel Permane @ Mark Roberts Motion Control
Gaffer: James Smith-Pryor
Rigger: Jon Last
Runners: Spike Laurie, Rudy Vermorel, Charlie Barclay, Runyararo Mapfumo
Behind the Scenes Filming: Sandra Ciampone & Steve Glashier
Behind the Scenes Photography: Sandra Ciampone